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from Grandma with love by gabriele galimberti
Seth Tara has shot an inspiring series for the History Channel entitled, “Know Where You Stand.” The set depicts modern people revisiting historic landmarks, with a black and white layer from the past.
History Channel Photos Series Shows Our Interaction With the Past
via Reddit
Hong Kong
Christophe Jacrot: “In my opinion, there are two ways of capturing the world for a photographer; on the one hand grasping its horror, and on the other sublimating it. I have chosen the second.”
Travel
By Canadian photographer David Burdeny
Chinese families’ worldly goods in Huang Qingjun’s pictures
CARBON installation at the Dennos Museum, Michigan.
Anthon B Nilsen
An over 100 year old company which operates in the fields of property development, paper recycling and private education. We created their annual report for 2009 and wanted to show their biggest asset, their employees. What a man carry in his pockets can tell a lot about him as a person. Documenting the company from the inside by showing their employees belongings, rather than just their faces, we learn to know the company at a personal level.
SUBMISSION:
Andover Road N (2012) part of the series “-nomy” as can be viewed at www.garymcleod.co.uk or behance
feul:
A graphic art series of digital photo manipulations by Chad Hagen. Chad Hagen is an art director and graphic designer based in Minneapolis, USA. He creates amazing graphics, infographics, artworks and illustrations. In this series Chad Hagen took some images of historical moments and pixelated the most important part of the pictures.
(via staceythinx)
Bus Riders by Cindy Sherman via Lomography:
While shot in 1976, it was only in 2000 that Bus Riders was printed and exhibited. The series features various characters that, as the title suggests, represent bus passengers as observed, portrayed, and photographed by Sherman herself. In true Sherman fashion, she transformed herself into these characters using make-up, wigs, and elaborate costumes. While each character was set against a plain and obviously staged setting, we can see in the series the earliest manifestations of Sherman’s flair for disguises and self-portraiture
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